Where cellophane cautiously tries to hide the fact that Jones is not a singer and she valiantly struggles with long lines that need bigger voice projection - yes,she has charisma and personality and will eventually become very interesting in her own off-beat way (but not here and not yet) - anybody could name at least five singers who would have no problems whatsoever with singing this but Jones always sound a little bit out of breath and like running behind the song instead of being at the helm of it.
Than modern-trick of songs sailing into each other without a break is today a cute reminder of disco-era,I remember this from my childhood. There is even a moment between the songs when it sounds like music will turn into "Turn the Beat around" but no,it is Jones own "Fame". "Autumn Leaves" was obvious follow up to "La Vie En Rose" and has Jones again singing in french with identical rhythm section and same percussion like on previous work.
"Am I Ever Gonna Fall In Love In New York City" has mildly interesting story line about a newcomer into big city,lost in the rush and excitement of new surroundings. Jones recites here for the first time,her voice so young but full of attitude. Almost like hearing baby Grace Jones.
As for other songs,they sound never-ending and probably were. The problem with this kind of production is that songs sound very much alike and as divided into A and B sides,you could play side A without even noticing it is actually different song.
Very soon Jones will re-invent herself and change approach to music,leaving disco behind completely. It is interesting to hear this but only to appreciate her later work even better. She did went a long way from this.
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