26.1.22

"Anyone Who Had A Heart" by Dionne Warwick (1964)


Take note: 1964 is the peak of British Invasion, British artists are crossing Atlantic, topping the hit charts and amongst the strongest homegrown talents - still viable, strong, successful and unshaken is no other but 24 years old Dionne Warwick. In fact, Warwick had such a strong succession of big hits (written by Burt Bacharach) that her influence went the other way - British girls were covering her songs note by note. 

Lyrics are interesting as reflection of what was accepted at the time - most of them are melodramatic and a bit masochistic (she is "getting ready for the heartbreak" and if he doesn't phone her, she's gonna die right now this minute) but interestingly enough, Warwick somehow manages to still sound defiant, proud and unbroken - that was one of her main characteristics, no matter what lyrics they threw at her, she was still class act. Bacharach songs are always a highlight but there are some fine additions like "Getting Ready For The Heartbreak" (previously recorded by Chuck Jackson), "Oh Lord What Are You Doing To Me" (Tommy Hunt) or Pomus-Shuman lilting little number where singer name checks her sister Dee Dee Warwick ("Shall I Tell Her"). Because some of the material overlaps with previously released debut "Presenting Dionne Warwick" the impression is that Scepter rushed with this sequel and in fact there will be another, superior LP coming in the very same year and this was obviously big time for Warwick who would soon be at the top of the world. 


25.1.22

"Presenting Dionne Warwick" by Dionne Warwick (1963)


Dionne Warwick often gets overlooked when discussing how 1960s musicians broke race barriers - everybody knows about Motown and their unstoppable hit factory but Warwick by herself pushed the envelope while not being affiliated with Motown, Atlantic, Stax or any big company - in fact, she started as a jewel in the crown of Scepter Records, a tiny brainchild of a certain housewife who had no previous experience in pop music at all. This little company catapulted the Shirelles amongst others, therefore "It's Love That Really Counts" was recorded by both them and Warwick. 


I doubt that Bacharach & David went consciously into it as civil rights movement - they were musicians with a vision, who happened to discover incredibly gifted unknown singer and wrote first class material for her. After all, Burt Bacharach was celebrated on the international stages as arranger and conductor for Marlene Dietrich and Dietrich herself apparently took young Warwick under her wings, giving her tips about stage presence and performance. Still, Warwick was here to stay and with this - her very first LP album - she became 1960s pop princess, with quite impressive hit list that went on forever. It is a very alluring collection of early 1960s pop with unmistakable sound, those deceptively light melodies that need a disciplined vocalist to keep it all together - Warwick sailed trough them without blinking an eye, while everybody else would probably end up breathless. What I find very impressive is how she makes everything so effortless - she is 100% focused, spot on every note and just slightly detached, which makes the music even more seductive. Excellent debut. 

20.1.22

"Pale Rider: The Spanish Flu of 1918 and How It Changed the World" by Laura Spinney (2017)

 

Looks like a perfectly timed publication but look again: the book was published in 2017.

That means Laura Spinney wrote it as a interesting scientific research about Spanish flu and added several possibilities how the future epidemics might develop - all of this, before Covid swept across the planet and forced us to adapt to different times. Naturally, many of us looked up to all the informations about Spanish Flu, to figure out how the epidemics work, how long do they last, what makes them disappear, etc - I have still not figured out exactly how it just vanished but this book makes it somehow clearer that the virus eventually weakened. (It is still alive and kept in a high-security containment facility in Atlanta, Georgia.) 



In her wildest dreams Spinney could not imagine that the whole world would look up to her book very soon after its publishing - she does approach Spanish flu epidemics from many different angles and points at so many similarities to our current situation that (curiously) it felt comforting to know that the world has already went trough this situation and survived. Personally I found fascinating how all of this comes out as a sort of déjà vu -  a hundred years ago we have been there and behaved more or the less exactly the same. First of all, there was a finger pointing - "In Senegal it was the Brazilian flu and in Brazil the German flu, while the Danes thought it ‘came from the south’. The Poles called it the Bolshevik disease, the Persians blamed the British, and the Japanese blamed their wrestlers: after it first broke out at a sumo tournament, they dubbed it ‘sumo flu’."  Than there was a matter of competing interests of collective - historian Alfred Crosby, who told the story of the flu in America, argued that democracy was unhelpful in a pandemic. The demands of national security, a thriving economy and public health are rarely aligned, and elected representatives defending the first two undermine the third, simply by doing their job. The most heated discussions of all, however, revolved around vaccination - in those long gone days before the internet, gossip got mixed up with ignorance, prejudice, religion and guesswork, just as today. I don't really get it why Spinney is so determined to find the start of the epidemic because it doesn't really matter - I might be wrong but once it spread, the virus was unleashed and that is all that matter - was it Asia, Canada or battlefields of WW1 in Europe, what difference does it make? 



Most scientists now agree that the event that triggered it–the spillover of the pandemic strain from birds to humans–would have happened whether or not the world had been at war, but that the war contributed to its exceptional virulence, while at the same time helping to spread the virus around the world. Interesting message from the book is that viruses can and do, jump from the animals to humans without actually harming animals - once the human immune system has been mobilised against the new virus, it enters a more stable equilibrium with its host. The pandemic passes, but the virus continues to circulate in a benign, seasonal form, provoking occasional outbreaks as it evolves through drift. It happens every few centuries and it will happen again - long before Spanish flu there was a "febris Italica" and there were two further flu pandemics in the twentieth century: the 1957 ‘Asian’ flu, which claimed 2 million lives, and the 1968 Hong Kong flu, which killed perhaps twice that. I got a little tired towards the end but in general the book kept my attention very well and I would recommend it to everybody who is curious how our situation might resolve.