Venice's own Giorgio Barbarelli da Castelfranco is shadowy figure and not much is known about his life, except that he perfected so called "sfumato" (the interplay between colours and shadows) that probably impressed young Leonardo da Vinci. He surely knew Tizian and few more famous artists of his time, but only six of his paintings survived to our age. He also seems to have been interested in creating paintings that were neither portraits or religious, but told some allegorical story, like this one. I loved "Old Woman" from the very first moment and often visited her when I had time in Venice - naturally, I couldn't talk to her because of other visitors, but I winked to her. We don't know anything about artist, even less about his subjects so it is very possible that old woman was not really a person but perhaps his idea or at least impression of unnamed woman. Once I brought a friend with me (one of those occasions when I was still enthusiast enough to share my pleasure in museums with other people, I slowly stopped that habit) to show him this painting, but she was absent. I asked the reception guy where is the old woman - "Sheee is in Ameeerica" was the answer, and I was amused that old woman had seen far more of the world than her true human counterpoint ever imagined its possible.
25.3.14
"La Vecchia" (Old Woman) (c. 1508) by Giorgone
Venice's own Giorgio Barbarelli da Castelfranco is shadowy figure and not much is known about his life, except that he perfected so called "sfumato" (the interplay between colours and shadows) that probably impressed young Leonardo da Vinci. He surely knew Tizian and few more famous artists of his time, but only six of his paintings survived to our age. He also seems to have been interested in creating paintings that were neither portraits or religious, but told some allegorical story, like this one. I loved "Old Woman" from the very first moment and often visited her when I had time in Venice - naturally, I couldn't talk to her because of other visitors, but I winked to her. We don't know anything about artist, even less about his subjects so it is very possible that old woman was not really a person but perhaps his idea or at least impression of unnamed woman. Once I brought a friend with me (one of those occasions when I was still enthusiast enough to share my pleasure in museums with other people, I slowly stopped that habit) to show him this painting, but she was absent. I asked the reception guy where is the old woman - "Sheee is in Ameeerica" was the answer, and I was amused that old woman had seen far more of the world than her true human counterpoint ever imagined its possible.
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