26.11.25

Many lives of The Wicked Witch of West

 

The original was of course the fictional character from the beloved children’s book published in 1900. Because the 1939 film adaption became so ubiquitous, we all tend to go back to that  movie over and over again, so to be honest I am not even 100% sure that I ever read the original book - if I did, it was decades ago and probably the time is ripe to re-read it again. I probably should, as the author created the whole fantasy world that continues into other sequels that I am not familiar with. I read somewhere that it might count as the first originally American fairy tale.



Than came the 1995 book “Wicked: The Life and Times of the Wicked Witch of the West “ which I bought, read, loved and talked to everybody all the time - it was the success of this book that catapulted Gregory Maguire to fame and he continued mining similar ideas ever since, with the books like “Confessions of an Ugly Stepsister” and “Mirror, Mirror”. It was a wonderful idea to re-invent a famous children’s story and approach it from a different perspective, simultaneously pondering some interesting ideas about the origin of good and evil, etc. The point is (as much as I remember), once you come closer to evil, you understand the behaviour, logic and the reasons - one of the most feared characters in the children’s literature might simply have been misunderstood. 


One way or the other, somebody thought it might make a great musical. Perhaps the shadow of the beloved 1939. movie looms so mighty over the horizon, it looked as a safer bet. The musical turned out to be surprisingly successful but to me it feels more because Broadway is starving for original story and fresh blood, instead of old American Songbook repertoire - I listened the cast recording twice and could not find anything memorable about it.


Than came the movies. 

The director Jon M. Chu explained that the script is so rich, powerful and amazing that it can’t be done in simply one movie, he needed to make two parts. OK, but honestly neither script or musical are such masterpieces that they deserve five hours in the cinema. I watched “Wicked: Part I” (2024) only mildly amused and noted that both Ariana Grande and Cynthia Erivo were good, but everything else was bombastic, pneumatic and overblown. A friend who was sitting next to me loved it, but I was not convinced. Something about this version struck me as totally wrong and I missed the childlike sense of wonder that the original story/film had - this was all like 1930s Busby Berkeley big production, with things whirling around and Witch not riding her broom but running like a formula one, giving me vertigo. “Wicked: For Good” (2025) stumbles really badly, because a) the rest of the story is really not so interesting to need another full-blown movie sequel, b) depressing and darker sequel does not give anything funny to Ariana Grande to do (in the first part, at least she was funny, here the script goes dark so she can’t be) c) both main characters work very well together but second part keeps them separated. So it was two and half hours of same stuff we saw previously, with even more forgettable music. I had a very strange experience of noticing that people on the screen are singing, but was completely unable to remember one single song - and left the cinema wondering how is that even possible? Apparently movie is still very successful anyway and I have feeling they might continue to milk that idea in some more sequels and prequels, kind of Marvel Universe. Long live bombastic CGI and mediocre music that breezes through your head without leaving a trace. 


No comments: